伯尔尼的奇迹

剧情片德国2003

主演:路易斯·克拉姆罗特  彼得·洛迈尔  约翰娜·加斯多夫  

导演:宋克·沃特曼

播放地址

 剧照

伯尔尼的奇迹 剧照 NO.1伯尔尼的奇迹 剧照 NO.2伯尔尼的奇迹 剧照 NO.3伯尔尼的奇迹 剧照 NO.4伯尔尼的奇迹 剧照 NO.5伯尔尼的奇迹 剧照 NO.6伯尔尼的奇迹 剧照 NO.13伯尔尼的奇迹 剧照 NO.14伯尔尼的奇迹 剧照 NO.15伯尔尼的奇迹 剧照 NO.16伯尔尼的奇迹 剧照 NO.17伯尔尼的奇迹 剧照 NO.18伯尔尼的奇迹 剧照 NO.19伯尔尼的奇迹 剧照 NO.20
更新时间:2023-09-24 10:55

详细剧情

1954年德国,德国国家足球队在瑞士打入世界杯决赛。德国鲁尔区埃森,人们都聚在理查德·鲁班斯基(彼得·罗美尔 Peter Lohmeyer饰)经营的小酒馆里欣赏电视转播。店主理查德曾在苏联的战俘营被关押了11年,性格保守固执。他的小儿子马蒂亚斯(路易斯·克拉姆罗特 Lo uis Klamroth饰)把德国球员赫尔穆特视为偶像,千方百计想去瑞士为他捧场。与此同时,《南德意志报》的体育记者保罗·阿克尔曼(卢卡斯·格雷戈霍威茨 Lukas Gregorowicz饰)正与未婚妻筹备婚礼,突然接到赴伯尔尼采访的任务,于是将蜜月旅行改在瑞士。7月4日德国队和匈牙利队进行最后决赛的前夜,父亲终于带着儿子前往伯尔尼,感受这场发生在伯尔尼的奇迹。   这部触动人心的运动题材电影《伯尔尼的奇迹》,不仅是一部让人热泪盈眶的温暖家庭剧,更是一部见证德国战后重建历史,以足球比赛帮...

 长篇影评

 1 ) 一个足球托起一个国家

没有人能够想到德国队会用如此年轻的阵容在世界杯上大放异彩,就像1954的伯尔尼没有人想到德国会战胜匈牙利夺冠一样。同样是7月,在战后痛不欲生的德国人用他们的激情点燃了一座球场,同样也点燃了一个国家的重建之火。

11岁男孩马蒂亚斯·卢班斯基生活的家庭是战后西德的一个缩影。一个慈祥勤劳的母亲,一个懂事的姐姐,一个爱好音乐的叛逆哥哥。在素未蒙面的父亲没有回来之前,他们是艰辛而快乐的生活。直到他的父亲从战俘营归来,一切都变了。一个身体虚弱,心里有着强烈阴影的中年人让孩子们感觉想要逃走。故事映射的非常合理,一个战后受尽屈辱的男人是一个家庭的统治者,下面是辛苦的人民为了重建和摆脱阴影而艰苦的生活着,和马蒂亚斯·卢班斯基的父亲一样,统治者想为一个国家描绘一张崭新的蓝图,却因为长期战乱的折磨而显得无所适从。

      最终有人逃离了,而男人也在孩子的逃离中学会了沟通和重生。 我们非常羡慕小男孩就生活在世界冠军的身边,拉恩和中年男人比起来更像是马蒂亚斯·卢班斯基的父亲。的确,一个支离破碎的国家需要一个精神层面的偶像。孩子的父亲最终让孩子在比赛的最后一刻来到的拉恩额身边,他一如既往的给拉恩带来了好运,而拉恩打进两粒入球成为德国队创造奇迹的功臣。

      或许马蒂亚斯·卢班斯基不明白,他带来的好运不但让拉恩进了球成了英雄,更让处在绝望边缘的德国人看到了生活的希望。 这就是一个时代的标志:伯尔尼奇迹。在那个动荡不安的年代,足球是世界上唯一的上帝,唯一的诺亚方舟……

 2 ) 冠军德国

       故事以德国54年夺得世界杯为背景,见证了德国战后重建的历史,又掺杂着战后德国普通人的感受,触动人心,比较内敛,节奏有点缓慢,不像别的足球或体育电影,但是整个故事很有意思,也让人看到了希望,感受到了光荣。
       虽然我是阿根廷梅西的球迷,但我也能从这部电影中收获感动和力量,足球给人以希望往往超越了比赛本身的激情,令你有足以面对一切的勇气和信心。去年夏天,熬夜看了世界杯,最后德国又再一次夺得了世界杯,奇迹再降临,梦想又成了现实。
       一部不错的体育励志片。

 3 ) 足球奇迹缔造意志战车

德意志民族始终是世界民族之林里巍巍傲立的一支。历史上他们以好战闻名,德意志人天生刻板、严谨、冷酷,性格里缺乏盎格鲁撒克逊人的幽默感和浪漫随性。体育是和平年代的战争,告别了“一战”和“二战”,德国人在历届奥运会上的成绩都是可圈可点的,尤其是前东德,受益于举国体制,他们很多届竟然排名金牌榜第二。德国男足号称“战车”,先后三次获得世界杯足球赛冠军,获得亚军和打入四强的次数超过全世界所有国家。但德国向来缺乏娱乐明星,我们知道英国的披头士,美国的好莱坞,甚至也会唱法语歌曲《伊莲》,却唯独对德国的当代娱乐产品乏善可陈。纵然我们喜欢那么多部德语小说,钟爱那么多位苦思“禅定”的德国哲学家……

但有一部德国电影能够证明德国人同样能玩好当代艺术。这部电影的名字叫《伯尔尼的奇迹》。影片以前联邦德国足球队参加1954界世界杯足球赛的历程为线索,将伦理、亲情、友谊、团队精神、民族主义、励志、代际差异、护生情愫、地域文化等各种元素贯穿剧中,使得全片结构完备、叙事从容、节奏舒缓、氛围凝重、场景温馨、情感饱满,牵着读者的心和眼泪一起奔走、一起沸腾……

小主人公马蒂亚斯自幼酷爱足球,他敬慕国脚昂,为了看昂踢球他宁可给昂当球童、当佣人,以至于天天早晨到昂的楼下提醒他开始早操了……马蒂亚斯是个腼腆内向、不爱张扬和言语的小孩,平时伙伴们在当街踢黑糊糊、鸡毛乱溅的野球时只让他救火队员---谁缺席了,才让马蒂亚斯替补上去踢一会儿。马蒂亚斯的爸爸鲁班斯基是被苏联囚禁的前纳粹战俘,11年后在受尽饥饿和虐待之后才和为数不多幸存下来的战友们一起被释放回国。而在这11年里,他的大儿子爱上了音乐,他的小儿子爱上了足球,他的女儿百依百顺、不怕操劳地协助妈妈经营好自家开的小酒吧。重归故里的鲁班斯基对儿女们的许多在他看来无比偏激的做法(大儿子在酒吧卖唱、女儿与军人跳舞、小儿子马蒂亚斯到教堂为国脚好友昂祈祷)看不惯,他屡次与儿女们发生情绪和语言上的激烈冲突,最终逼得大儿子离家出走、小儿子离家出走未遂、女儿连续数日不搭理他……其间的很多画面如马蒂亚斯内弛外张的神态心理变化,他父亲的作风在母亲的规劝下发生的由专制粗暴到温蔼柔情的转变,鲁班斯基杀死小儿子心爱的两只白兔悉心地给老婆熬汤过生日、他在妻子的生日宴席上向孩子们赠送礼物全都拍摄得颗粒细腻、唯美婉转。马蒂亚斯在受委屈时常常到兔笼里向两只小兔倾诉心声,当他在垃圾筒里终于找到被父亲屠戮零碎随手抛弃的兔子皮毛、下水(上面还有苍蝇盘桓)时,禁不住号啕大哭并最终感动父亲,令鲁班斯基从教堂借来一辆汽车载着马蒂亚斯前往瑞士首都伯尔尼为国家足球队、为球星也是好哥们儿的昂加油助威……

主人公们都生活在德国重工业发达的鲁尔地区。鲁班斯基获释后下井挖煤当炭工,他的妻儿生活在用黑色砖头筑成的房子里,他们的社区被大烟囱和炼煤炉、炼钢炉所包围,整天浓烟蔽日。看到1950年代的德国,就想到了2010年代的中国,同样的百业待兴、重工业立国,德国以1954年国家足球队捧得世界杯、国民民族主义热情高涨为契机,大力振兴了经济;而中国的奥运梦倒也一次次照进现实,可环境污染照旧、国民素质依然。

瑞士的风光真的很旖旎,国脚们在碧波荡漾的湖滨训练,累并惬意着。当鲁班斯驾车载着马蒂亚斯穿越中欧的高山和森林时,我们不但感到了父子情干戈化玉帛的震撼,也领略到了大自然化解卑微人性、融会复杂人生的功力。还有小酒吧里人们边看电视里的球赛边手舞足蹈、呜嗷喊叫、穿着一身灰色工作服的矿区工人。他们挣的不多,可单调的生活因足球而刺激满足,他们的神经因足球而瞬间松弛……

看来追星是无国界的,只不过我国长期以来追的只是政治明星、学术明星,而在西方受宠的影视明星、民间达人少一些。刻板的德国人在最被规则束缚的足球项目上寻求并取得突破,这也说明他们的纪律性、组织性都是坚定而强韧的。而他们不到结束绝不松懈、更不放弃的一根筋精神韩国人已经学去并取得2002年世界杯足球赛的第四名。华夏民族出的汉奸多,德国人、英国人里出的战俘多,我却从没听说其中的哪个俘虏当了叛徒。

影片中还刻画了一个行为拘谨、文质彬彬、态度认真、体贴老婆的男体育记者形象。从他的角度上我们更加客观的认识了德国人对运动的狂热和对英雄的喜欢,以及他们强悍背后的精细与柔软……

影片一头一尾互相呼应的两段台词耐人寻味。开头鲁班斯基训斥儿子迷足球时打了马蒂亚斯一巴掌,还顺口带出一句“联邦德国的孩子没有哭的习惯”;结尾当鲁班斯基从小儿子手里接过大儿子离家出走的诀别信深情读毕泪如雨下、呜呜啜泣时,马蒂亚斯安慰了他这样一句:联邦德国的孩子可以有少哭一会儿的习惯……父子心相印,破涕球为媒。

孩子们对一种事物与生俱来的那种单纯的热爱让人动容。这种热爱是无价的,是成年以后不会重来的。伯尔尼创造的足球奇迹激励了战后一代德国人励精图治,化悲痛为力量,在废墟上重建家园、重拾自尊的努力行动。他们澎湃波折的心路历程上凝聚着屈辱和挣扎,激昂着对过去辛酸的洗雪、对未来疯狂的憧憬……

 4 ) 伯尔尼的奇迹

  第二次世界大战所遗创痛酷烈,战败国尤甚。二战后的德国,遍地残垣,触目皆毁。1954年春,在仍旧百废待兴的西德,一个普通家庭的生活将迎来转变。
  在11年前那个冷得异乎寻常的冬天,于斯大林格勒城下被俘的父亲终于从苏联回归。然而这个被日思夜想盼回来的人,给这个家庭带来的不是喜乐与祥和,而是冲突与迷茫。他带来老式德国父亲对子女刻板严苛的管教、遭遇儿子对他纳粹军人身份的质疑、饱尝想要独力养家却屡屡碰壁的挫败感。虽然是战俘,虽然已离家近12年,但他想保持一个父亲的尊严,给这个家庭一个父亲应该提供的支撑与庇护。但他越努力,家人就越疏远。他就像《肖申克的救赎》里那个老图书管理员——被关了50年,已经完全被监狱的体制同化,无法再适应铁窗外的生活,唯一的解脱只有自杀。但他比老管理员幸运,因为,还有足球。
  他的小儿子,在他上前线后才出生的马特斯是个超级球迷,他们的家乡还有一位后来成为传奇的国家队队员拉恩·赫尔穆特。而且这一年,德国打进了在瑞士伯尔尼举行的第五届世界杯,全国上下都在为足球疯狂。
  随着赛程的进行,父亲开始向儿女敞开心扉,他开始和马特斯探讨足球,也开始放下家长的面子、坚强的伪装,向家人讲述自己在战俘营里的遭遇,那些不知道第二天还能否醒来的饥饿夜晚,那些不相信自己还能活着回家的西伯利亚冷冽清晨。诚挚拉近了家人的距离,误解在消融、裂痕在弥合,但他们还是不敢相信生活会渐渐变好,就像没人敢相信西德会在世界杯上夺冠。
  没人敢相信西德会夺冠,是因为他们的对手,那座横亘在他们面前的巨山——匈牙利队。如今的匈牙利队早已在世界足坛湮没无闻,但1954年的匈牙利队却是一个不折不扣的传奇。他们强到什么程度呢?他们在传统的“WM”阵型基础上首创四前锋打法,掀起了足球史上“第一次技术革命”浪潮,队中坐拥普斯卡什、柯奇士、博兹克和赫德库蒂等传奇巨星。而且,从1950年5月起,作为一支国家队,匈牙利就根本没输过!他们在31场国际比赛中拿下27胜4平,其中包括在客场6比3,主场7比1血洗当时不可一世,不屑与世人为伍的英格兰。在1952年奥运会上,匈牙利队一路横扫诸强轻松摘金,赢得了“魔幻匈牙利”的美名。而且,就是这只匈牙利队,在两周之前的小组赛中灌了西德队8比3。
  就是面对这样这样的对手,德国战车没有放弃他们的斗志,而老天也似乎站在他们一边。7月4日,决赛日。早上的青空万里转作中午的大雨倾盆。泥泞的场地放大了不屈意志的作用,给了顽强拼搏一个机会。在开场8分钟连丢2球的不利情形下,西德队同样以8分钟神奇的扳平了比分,并且在匈牙利队如狂涛怒浪的猛攻下拼死撑到了决定命运的那一瞬。第86分钟,瓦尔特传球,拉恩·赫尔穆特突破射门,3比2!这是德国队首次在世界杯夺冠,也是世界杯历史上最大的冷门之一。
  伯尔尼的奇迹激励了德国,给了德意志民族自信与民族认同。足球不仅是马特斯与父亲和解的契机,也成为德意志民族内部弥合裂痕、治愈创伤,团结向前的催化剂。一年之后,最后一批战俘从俄国返德,同年,德国开始了经济奇迹。
  《伯尔尼的奇迹》就是以这段传奇为蓝本改编的电影,这既是一部体育励志片,也是一部家庭温情片,更是一段历史的回忆。在影片之外,关于伯尔尼的奇迹也有不同的版本:有报道称德国联邦体育科学研究所研究员埃里克·埃格斯在对决赛后西德更衣室里发现的多个空药瓶进行了精密检测后,发现其中有甲基苯丙胺(冰毒的主要成分)和苯丙胺成分,而这正是一种典型的中枢神经兴奋剂,其副作用是药物性肝损。在随后的几十年中,先后也确有多名联邦德国球员患上黄疸性肝炎。虽然这种说法也是疑点重重,比如真注射兴奋剂又怎会留下空瓶那么明显的证据,但当年那个意识形态对抗,东西冷战的时代,兴奋剂的阴影确实一直笼罩在国际体育比赛的上空。所以,这种说法也姑且列在这里,是真是假,留待历史学家去评吧。

 5 ) Das Wunder Von WESTFALEN!!就在今晚!!

今天又将迎来一个与52年前伯尔尼相似的时刻,不同的是今天是半决赛,对阵的一方从志在必得的匈牙利变成了哀兵出征的意大利,同时地点也移到了32年历史的多特蒙德威斯特法伦球场。一向坚强的德国人,能继续延续奇迹么?我是阿根廷蜜,不过并不忌恨德国人踩上了我们的肩膀,由于这部精彩的电影,今晚支持德国人。
希望今天的比赛也能精彩。即使输了,电影里也说“德国男子偶尔也能哭下”。光荣属于威斯特法伦的胜利11人。

 6 ) 骗子,德吹的滥觞

体育医学和反兴奋剂发展到今天,当年的决赛有些事情的争议已经基本盖棺定论。

没错,那届西德队集体服用了苯丙胺和甲基苯丙胺,这类药物在今天有一个更通俗和流行的名字——冰毒。

靠着这些,德国人毁掉了当时50年代最好的两支球队之一——普斯卡什的匈牙利队。

到今日,当年那支西德队已经有多名国脚死于肝部疾病(甲基苯丙胺类当时的制作使用方法对肝脏尤其有害),而球队的名单也早已淹没在历史长河里。唯有普斯卡什和那支匈牙利队的名字依然璀璀生辉,和贝利的巴西共同撑起了50年代足球的天空。

的确,当时禁药规则并不明确,所以国际足联无法对德国进行任何追加处罚。但是对那些鼓吹54年冠军能证明多少德意志精神的人来说,真相以及那支西德队和他们开了一个玩笑。恐怕任何妄图在这里发掘多少光辉的行为,都难逃缘木求鱼的结果。

 7 ) 【作业】The Miracle of Bern (Das Wunder von Bern)

The Miracle of Bern (German title: Das Wunder von Bern) is a German film made in 2003, directed by Sönke Wortmann. The film is based on a true historical event. It tells the story of the West German soccer team that miraculously won the title in the 1954 FIFA World Cup held in Switzerland. The film was released in the year after Germany was defeated by Brazil in the 2002 World Cup final co-hosted by South Korea and Japan. When the film was greeted with immense popularity. The film unfolds the story through the perspective of a young boy, Matthias Lubanski, from Essen, West Germany. Matthias’s father served in the Nazi military and was imprisoned in a POW camp in Russia for about 10 years. In his absence, Matthias’s mother runs a local pub and supports three children. Also, Matthias befriends a member of the West German soccer team, Helmut Rahn, who ends up scoring 2 goals in Germany’s victorious final match against Hungary and becoming the hero of the nation. The film contains two main storylines, Matthias’s family and the German National soccer team. The film uses various techniques to connect the experience of the Lubanskis and the entire nation together. Not only does The Miracle of Bern tell the story of the West German soccer team winning the World Cup. It also tells the story of West Germany walking out of the shadow of WWII. Matthias Uecker noted that the Miracle of Bern constructs a nostalgic sentiment toward the period of the economic boom in West Germany after WWII and also the glory of winning the World Cup. In the subtitle of the film Jedes Kind Braucht einen Vater. Jeder Mensch braucht einen Traum. Jedes Land braucht eine Legende. (English: Every child needs a father. Every person needs a dream. Every country needs a legend.), the individuals and West Germany as a nation are already linked. (Uecker) First of all, the family, the Lubanskis, at the centre of the story is representative of West Germany at that period of time. The Lubanskis are set in Essen, a city located in the Ruhr Metropolitan Region, the most import industrial district in West Germany and the pillar of the West German economy. During WWII, a lot of industrial infrastructures were destroyed in the bomber raids in Germany. The economy was also devastated. After the war, the United States government carried the Marshall Plan, intended to help western European countries recover from the war economically. Over 17 billion USDs were provided to rebuild the European economy and modernize the industry. In the first half of the 19th century, large-scale mining and steel production began in Ruhr and Ruhr took off as one of the largest and most famous industrial regions in the world. Alongside the prosperity of Ruhr, many of Europe’s oldest industrial cities started to take shapes, such as Dortmund, Essen, Duisberg and Bochum. Also, during WWII, the heavy industry in Ruhr played a significant role in the German economy. It provided a material and economic basis for the Nazi war machine. After the war, Ruhr played an important role in the economic recovery too. Ruhr can be seen as an icon of German industry and the frontier of economic reconstruction at that period of time. Moreover, the protagonist, Matthias is an average German boy from an average German family. The Lubanskis are representative of the German working-class families at that historical period. Matthias, like many German boys, is enthusiastic about soccer. He is not the most popular kid in school, and he is not very good at soccer either. His father, like many men of that age, served in Nazi military forces. Many of them were killed in action, and the survivors were imprisoned in POW camps all over Europe and Russia. Matthias’s father, Peter Lubanski, survives the war. He is imprisoned in POW camps in Russia. The father encounters a hard time when he just comes back to his family from the Russian POW camp. He sees a different world than the last time he was home. The country he served for no longer existed and he sees a son that he does not recognize. Upon his return, the father still carries the former Nazi ideology. He believes that everyone in the household should follow his rules, fear and obey him. He is also frustrated seeing the family is functioning just fine without him and the women in the household are working. However, the father is traumatized by the war, therefore he is not able to work and provide for the family because the sound of a jackhammer reminds him of a machine gun. What even worse is that he is not able to get compensation from the government. When the father is locked away in Russia, his mother runs a local pub and supports Matthias, his sister and his brother. Like many women who lived in that period of time, she has to be the breadwinner in the household. Almost all men at their prime in that period of time served in the military. A great number of them were killed on the battlefield and many of the ones who returned were unable to work and provide for their family due to severe injury or psychological trauma, like Peter Lubanski. The women in Germany at that time had to step in and provide for their families. In addition, Matthias’s brother and sister are also representatives of the situation in Germany at that period of time. After the war, Germany was split into East and West. East Germany was found in the Soviet occupation zone, and West Germany was established on the former US, British and French occupation zone. The two German states subscribe to different ideologies. Like Germany was divided in two, the two older siblings of Matthias are under foreign influences too. The sister, Ingrid, goes to a party and dances with G.Is. The older brother, Bruno, plays on a band that plays American music. Also, he is angered by his father’s cold, fascist behaviour when the father just returns from the POW camp as well as his Nazi history. He runs away to East Berlin because he believes in everyone is treated equally in the communist state. The split of the Lubanskis in a way signifies the separation of the two German states. Furthermore, not only is the working class of West Germany represented, the middle and upper class also shows up in the film. Annette and Paul Ackermann represent the middle and upper class in Germany after the war. Paul works for a newspaper and writes the sports page. Annette is a spoiled daughter from a wealthy family with high social status. She inherited property from her family and was planning a honeymoon trip to North Africa. The Ackermanns are newly married before the 1954 World Cup. Paul is assigned to cover the World Cup in Switzerland and Annette decides to come with even and take the trip to Switzerland for their honeymoon even though she is no fan of soccer and has no previous knowledge. Moreover, although the odds are not in the West German team’s favour, even the German head coach believes so, Annette demonstrates great confidence in the team and pride as a German, as the soccer team represents her country. Also, the players on the national team are from different places in Germany. The commentator is specific on where each player comes from so everyone in Germany, not only where Matthias lives, is included and represented by the national team. To sum up, soccer is used as an equalizer between rich and poor, men and women, soccer fans or non-soccer fans, estranged fathers and sons. Soccer does not only break the barrier between social classes but also brings people from different parts of Germany altogether. Even when Matthias’s father, who is a very difficult man when he just returns from the POW camp, can get along harmoniously with the son he has never met before through the trip to the World Cup final. The film elaborately uses the story of the Lubanskis and the Ackermanns before and during the World Cup to connect the experience of individuals to the entire nation. Every German celebrates the achievement of the soccer team in the World Cup altogether, as if WWII, which ended only 9 years ago, and its aftermath are already behind them. Unlike the Nasty Girl (German title: Das schreckliche Mädchen), The Miracle of Bern does not raise any heavy questions such as what the people around us were doing during the Nazi period. On the other hand, the Miracle of Bern constructs nostalgic sentiments and creates the illusion of happiness and harmony in postwar West Germany. Throughout the course of the film, music is used to guide the emotion of the audience, during the heated match between the West German team and the Hungarian team or the thrilling moment when Matthias finds his pet rabbits are made into his mother’s birthday dinner. The film resembles a typical Hollywood commercial film and it successfully gained high popularity in Germany, yet the audience is manipulated and absorbed into the story through film techniques. It is made for people’s entertainment instead of meant to trigger critical thinking of the history from the audience.

 短评

1954 1974 1990 足球早已融入德意志人的血液

7分钟前
  • |
  • 力荐

足球文化,二战创伤,德意志精神!一摞德甲球队,亲切的紧,德国,你是逆转王,你一直是!

8分钟前
  • 七宝
  • 推荐

“亲爱的,你听好了,我们会赢,而且会把他们打得落花流水”。很多时候,我们需要的是必胜的信念和永不服输的精神。不管之前输得多么惨,一上球场,他们就只想着胜利。

12分钟前
  • 九尾黑猫
  • 推荐

一个摇摇欲坠的家庭,展现战败德国撕裂的伤痕,战俘老爹与他眼中的”共产主义者“、”军妓“与“游手好闲”的家人们,惟有足球可以弥合这一切。体育片的定式,最后的奇迹没有悬念,只需要表现得血脉喷张足以~BTW.关于足球的电影没有一部能超过足球本身的,纪录体裁或许更好

17分钟前
  • lilac
  • 推荐

从小人物角度切入折射大事件大背景的想法是不赖的,但拍得实在过于温吞水了。DVD的画质是真好,花絮里有详细提到后期工作人员为了呈现出当时的色彩氛围所作出的努力,效果也的确相当棒。只是最后决赛的重现有些潦草,球场比例明显不对嘛。迄今为止,还没见过一部能把足球比赛基本真实还原出来的电影

20分钟前
  • 喷子
  • 还行

最初看这部片子,是在2006年世界杯时,换句话说,我是在响应世界杯的气氛来“凑个热闹”。可是影片的内容却让我惊讶,故事的主题不在于渲染德国队如何战胜强大的匈牙利(当时匈牙利是足球老大),而在于讲述一个坚强与反思的故事,中间还穿插着原德军士兵对俄国人造成伤害的愧疚感,于是,我被感动了…

25分钟前
  • [己注销]
  • 推荐

这支德国队有点像05年伊斯坦布尔的利物浦

30分钟前
  • 乐天
  • 力荐

德吹毁掉的是50年代前半段世界上最好的球队,而且使用甲基苯丙胺毁掉的

32分钟前
  • Irreversing
  • 很差

作为一部足球电影,这部难得的不是俗套励志剧,而是一个关于足球帮助民族走出创痛、弥合裂痕、重拾自信的动人故事,温暖:)

37分钟前
  • 小老鼠
  • 推荐

本片是为纪念TheBoss的去世而拍摄,但导演的意图却不止于此,而是打算通过三条主线的整合诠释德意志足球狂热的根源:足球是化解鲁班斯基家矛盾(甚至战争创伤)的良药,足球是记者夫妻感情的催化剂(此线较弱).54获胜是德国历史本身的化身(孩子来到伯尔尼恰是奇迹),现在足球可没这么干净

42分钟前
  • 文泽尔
  • 推荐

一个男孩对父亲从拒绝排斥到理解接受,这种转变的过程其实也就是民众对一个曾经犯过错误的国家重新认知的过程。虽然是一部体育电影,运动场内的东西却只占了很小的比重,导演想让小小的足球承载非比寻常的重量——家庭,战争,政治,两德。一座世界杯让一个饱经战乱的国家重新崛起,这就是体育的力量。

46分钟前
  • deus
  • 推荐

最后的决赛不够燃~不过毕竟是电影,能把社会问题和足球运动结合的这么好已经很难得了。另外足球绝对是世界最美丽最热血最有凝聚力的一项运动,没有之一。

51分钟前
  • Doublebitch
  • 力荐

比足球更能感动我这个球迷的是父子之间的亲情,这样的感情体验是我一生都无比珍视的东西。

54分钟前
  • alexwillows
  • 力荐

马蒂亚斯一看就知道是个德国小子,德国人都长一个样,譬如诺天王。足球是圆的,比赛时间有90分钟,谁知道会发生什么。奇迹,老天都帮着呢。

57分钟前
  • 黄无苏
  • 推荐

看到最后「冠军是德国」的时候哭崩了吗的!!!勒娘把我爱的德国队还回来!!!我爱的从来都是德意志糙爷们儿精神好么!!!QAQ

60分钟前
  • Jumpingtigger
  • 还行

Ops,看了这部电影,作为意大利死忠,会突然有那么点喜欢上德国队了。致敬1954年世界杯。三条主线,各有强弱,国家走出创痛、家庭弥合裂痕、民族重拾信心,一颗小小的足球,承载着太重的力量。日耳曼民族的精神,或许本身就是一种奇迹。

1小时前
  • 大灰狼的兔
  • 推荐

我很奇怪这种导演到底看不看足球呢……片子是个好片子,最后表现的那场决赛感觉太假了……

1小时前
  • 杨子虚
  • 推荐

当时的匈牙利可是比现在的西班牙还要牛B很多阿

1小时前
  • Garrick
  • 推荐

国家电影的典范,记得DVD花絮里有介绍最后决赛是拿当时的影像对照着拍的简直高度还原,虽特效技术稍差又极度煽情,但可谓足球电影里的NO1.同时又融合了德意志的战后创伤重建信心及对东德的复杂感情,还有那个提供球鞋的就是阿迪达斯的创始人。突然想到后天德阿的决赛我们也是在亲历又一段历史。

1小时前
  • seabisuit
  • 力荐

资料馆2014.7.11.7pm 小男孩的状态塑造的比较好。竞技和夺冠的宏大事件下证成的是家庭的重建-国家的重建,既有那一家人(核心是父亲与幼子),还有体育记者的妻子怀孕(一个孕育未生的、崭新的生命)。战败后、背上纳粹法西斯十字架的德国人,开始重建家国民族(意识形态)。

1小时前
  • xīn
  • 推荐

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